Beyoncé won her first career Album of the Year award and Kendrick Lamar’s “Not Like Us” took Song, Record and Rap Song of the Year tonight at the 67th annual Grammy Awards, in an evening dedicated to those affected by the L.A. wildfire tragedies last month.
The win for Cowboy Carter, which also took Country Album of the Year, added to Queen Bey’s record career haul — her 35th Grammy overall and third of the night. “I’d like to thank and acknowledge and praise all of the firefighters for keeping us safe,” Beyoncé said in accepting the top award. “I just feel very full and very honored.” Watch her full speech here:
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Earlier, Lamar called out Los Angeles and many of its neighborhoods upon winning the Record prize. “I can’t give enough thanks to these places that I rolled around since high school, and most importantly to the people and the families out in the Palisades and Altadena.” Watch his Song and Record of the Year speeches here:
Lamar went 5-for-5 tonight, winning every category for which he was nominated. He was double-nominated for Best Rap Song and Best Music Video. It marked quite a departure from last year, when Music’s Biggest Night became Ladies Night as women swept the four marquee categories of Album, Record and Song of the Year and Best New Artist, with Taylor Swift taking Album of the Year a record fourth time, for Midnights.
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Swift, who won Best Country Album two years ago, presented this year’s award to Beyoncé for Cowboy Carter, her first stab at that genre. Onstage, the singer — who looked genuinely surprised by the win — said, “I think genre is a code word to keep us in our place as artists and I just want to encourage people to do what they’re passionate about.” Here’s her speech in full.
Taylor Swift presents the Best Country Album Grammy to Beyoncé
Getty Images
The Beyoncé-Swift moment onstage reminded many of the 2009 MTV Video Music Awards, when Swift took Best Female Video for “You Belong with Me” and had her acceptance speech hijacked by Kanye West, who complained that Beyoncé should have won for “Single Ladies (Put a Ring on It).”
Earlier Sunday, Bey — who came into the evening with a leading 11 nominations — announced the long-awaited Cowboy Carter Tour.
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Chappell Roan won Best New Artist, and made an impassioned speech. “I told myself, if I ever won a Grammy and I got to stand up here in front of the most powerful people in music, I would demand that labels and the industry profiting millions of dollars off of artists would offer a livable wage and health care, especially to developing artists.” It drew a standing ovation, and she got another when she closed with, “Labels — we got you, but do you got us.”
Host Trevor Noah opened the televised show by saying: “Just a few weeks ago, we weren’t sure tonight that this show would even happen. You don’t need me to tell you this, this city has just beenthrough one of the largest natural disasters in American history. … Tonight we’re not just celebrating our favorite music, we’re also celebrating the city that brought us so much of that music.”
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With that he introduced Dawes, who played the local anthem “I Love L.A.,” by native Angeleno and seven-time Grammy winner Randy Newman. You might have heard of some of the folks who backed the band: John Legend, Sheryl Crow, Brad Paisley, Brittany Howard and St. Vincent. Near the end of the night, Noah said more than $7 million had been raised by viewers alone.
Sabrina Carpenter won Best Pop Vocal Album for Short n’ Sweet. When Anthony Kiedis and Chad Smith of L.A. band Red Hot Chili Peppers took the stage to present the category, they teamed on the key opening verse from their breakout hit “Under the Bridge”: “Sometimes I feel like I don’t have a partner/Sometimes I feel like my only friend/Is the city I live in, the City of Angels/Lonely as I am, together we cry.”
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The first winner during the telecast was Doechii, who took Best Rap Album for Alligator Bites Never Heal. The Tampa native noted from the stage that only two women had won before her since the category was introduced in 1989: Lauryn Hill and Cardi B, who presented the award.
As for those performances, an annual Grammy highlight, the big surprise was The Weeknd, who performed “Timeless.” It was his first Grammy performance since he began a boycott of the awards show in 2020. Back then, he posted on social media, “Collaboratively planning a performance for weeks to not being invited? In my opinion zero nominations = you’re not invited!”
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Earlier, the second performance of the night was from L.A. native Billie Eilish, who played her Song and Record of the Year nominee “Birds of a Feather” on a set resembling a rustic scene from the local mountains. Carpenter later played her Record of the Year candidate “Espresso,” which already had picked up some hardware during the preshow. And Charli XCX did an underwear-laden “Guess.”
The Grammys opted to feature all of the Best New Artist nominees in performance.
Category winner Roan performed her “Pink Pony Club,” backed by dancers with a rodeo-clown theme and sometimes sitting atop a 6-foot-high horse of that color. Khruangbin later did a bares-bone version of “May Ninth.”
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That New Artist nominee showcase continued with Benson Boone, who preformed “Beautiful Things” — complete with a wild dismount from atop the piano. Doechii played an elaborately choreographed “Denial Is a River,” followed by Teddy Swims doing a dramatic “Lose Control,” backed by strings.
Next up was Shaboozey and the biggest song of 2024: “A Bar Song (Tipsy),” which spent a record-tying 19 weeks atop the Billboard Hot 100. He finished with a quick, “We love you, L.A.,” before handing off to Raye, who performed a soaring version of “Oscar Winning Tears” backed by elegantly dressed band and dancers.
After the New Artist award was presented, there was a gut-wrenching montage that showed the unthinkable devastation wrought by the Los Angeles wildfires last month. Along with scenes of destruction were testimonials by people who lost everything — but were looking ahead.
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It also was followed by Lady Gaga and Bruno Mars performing a duet on the L.A.-centric classic “California Dreamin’,” part mournful, part celebratory and all in.
That pair later had an onstage mutual-respect moment onstage after they won Best Pop Duo/Group Performance for “Die with a Smile.” Gaga then reminded the audience that “trans people are not invisible.”
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Shakira scored her fourth career Grammy, this time Best Latin Pop Album for Las Mujeres Ya No Lloran. Later, she took the Grammy stage for the first time since 2007, playing a high-energy medley that had many of the VIPs on the arena floor up and dancing.
Returning to an awards-show stage for the first time since “The Slap,” Will Smith introduced a tribute to the late music legend Quincy Jones. Herbie Hancock accompanied Wicked star Cynthia Erivo on “Fly Me to the Moon,” from the Grammy-winning 1964 Frank Sinatra & Count Basie LP It Might as Well Be Swing, which Jones arranged. Lainie Wilson then performed “Let the Good Times Roll,” before Stevie Wonder joined Hancock onstage for a harmonica- and piano-fueled instrumental salute.
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The two then shared some intimate memories of Jones, including a look back at and performance of the groundbreaking 1985 famine-relief track “We Are the World,” which Jones produced. Wonder and Hancock were backed by a large chorus of young singers wearing matching “Heart LA” outfits, who were from two schools that were destroyed in the fires.
The tribute wrapped with Janelle Monáe channeling Michael Jackson on the Jones-produced No. 1 classic “Don’t Stop Til You Get Enough.” A 28-time Grammy-winning producer, arranger, film and TV composer, arranger, conductor and trumpeter, Jones died in November at 91.
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Chris Martin performed his band Coldplay’s “All My Love” during the In Memoriam segment. Among those honored were Liam Payne, Kris Kristofferson, Angela Alvarez, Steve Albini, Cissy Houston, John Mayall, Dickie Betts, Angela Bofill, Joe Bonsall, Fatman Scoop, Sandra Crouch, Richard Sherman, Joe Chambers, Jack Jones, Duane Eddy, Hank Cicalo, Frankie Beverly, Eric Carmen, Abdul Kareem “Duke” Fakir, Kinky Friedman, Egidio Cuadrado, David Sanborn, Steve Lawrence, DJ Clark Kent, Mary Martin, Sam Moore, Tito Jackson, Marianne Faithfull, Ben Vaughn, Sergio Mendes, DJ Homie Quan, Phil Lesh, Bob Newhart, Seiji Ozawa, Ella Jenkins, Wayne Osmond, Alfa Anderson, Richard Perry, Lani Simmons, JD Souther, Roy Haynes, John Titta, Rico Wade, Garth Hudson and Toby Keith.
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Among those not mentioned in the segment were Peter, Paul and Mary’s Peter Yarrow, Brenton Wood, Mike Pinder of the Moody Blues, Greg Kihn, Dick Asher, “Screamin’ Scott” Simon of Sha Na Na, early Bee Gees drummer Colin Peterson, Moby Grape’s Jerry Miller and Mojo Nixon.
During the pre-telecast Premiere show, Beyoncé won her 33rd Grammy, for Best Country Duo/Group Performance for her and Miley Cyrus’ “II Most Wanted” from Cowboy Carter, her first country album. She comes into the day with a leading 11 nominations, which give her a record 99 in her career.
Also in the early ceremony, Sierra Ferrell swept the Americana categories with Song, Album and Performances wins to nab a leading four Grammys, while Kendrick Lamar landed three of a possible seven for his smash “Not Like Us” (in Rap Song, Performance and Music Video). Also scoring three was St. Vincent, with Alternative Album, Song and Performance wins.
Jon Batiste and his American Symphony, Carpenter and Charli XCX won twice each, while Charli XCX’s album Brat also won for Best Recording Package. Key Carpenter songsmith Amy Allen also took Songwriter of the Year (Non-Classical), while Roan and Olivia Rodrigo producer Daniel Nigro won Producer of the Year (Non-Classical).
Other notable winners in the preshow included a posthumous Grammy for Jimmy Carter for Last Sundays in Plains: A Centennial Celebration in the Best Audio Book, Narration, and Storytelling Recording category, and Dave Chappelle’s The Dreamer for Best Comedy Album. It was Chappelle’s sixth career win in the category, putting him one behind Bill Cosby’s record seven. In a Mini-British Reinvasion, The Beatles — also up for Record of the Year tonight — won Best Rock Performance for “Now and Then,” while The Rolling Stones won Best Rock Album for Hackney Diamonds.
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Among the film, TV and theater categories, Hans Zimmer won for his Dune: Part Two score, while Bradley Cooper picked up a Compilation Soundtrack Grammy alongside the London Symphony Orchestra and Yannick Nézet-Séguin for Maestro: Music by Leonard Bernstein from Cooper’s Oscar-nominated 2023 Bernstein biopic Maestro. Alicia Keys’ Hell’s Kitchen won Best Musical Theater Album.
This year’s Lifetime Achievement Award recipients are Prince, The Clash, Frankie Valli, Frankie Beverly, Dr. Bobby Jones, Taj Mahal and Roxanne Shante. The 2025 Trustees Award recipients were Erroll Garner, Glyn Johns and Tania León. The 2025 Technical Grammy Award honoree is Dr. Leo Beranek, whose early work in acoustics helped lay the groundwork for modern engineering.
Alicia Keys was presented with the Grammys’ Global Impact Awards. Here is her speech:
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Here are the winners at the 2025 Grammy Awards, including the Premiere preshow, which you can watch at the bottom of this post:
Album of the Year
Cowboy Carter – Beyoncé
Beyoncé, Terius “The-Dream” Gesteelde-Diamant & Dave Hamelin, producers; Matheus Braz, Brandon Harding, Hotae Alexander Jang, Dani Pampuri & Stuart White, engineers/mixers; Ryan Beatty, Beyoncé, Camaron Ochs, Terius “The-Dream” Gesteelde-Diamant, Dave Hamelin, S. Carter & Raphael Saadiq, songwriters; Colin Leonard, mastering engineer
Song of the Year
“Not Like Us” — Kendrick Lamar, songwriter (Kendrick Lamar)
Record of the Year
“Not Like Us” – Kendrick Lamar
Sean Momberger, Mustard & Sounwave, producers; Ray Charles Brown Jr. & Johnathan Turner, engineers/mixers; Nicolas de Porcel, mastering engineer
Best Pop Duo/Group Performance
“Die with a Smile” — Lady Gaga & Bruno Mars
Best Latin Pop Album
Las Mujeres Ya No Lloran — Shakira
Best New Artist
Chappell Roan
Best Country Album
Cowboy Carter — Beyoncé
Best Pop Vocal Album
Short n’ Sweet — Sabrina Carpenter
Best Rap Album
Alligator Bites Never Heal — Doechii
Best Contemporary Classical Composition
Ortiz: Revolución Diamantina — Gabriela Ortiz, composer (Gustavo Dudamel, Los Angeles Philharmonic & Los Angeles Master Chorale)
Best Classical Compendium
Ortiz: Revolución Diamantina — Gustavo Dudamel, conductor; Dmitriy Lipay, producer
Best Arrangement, Instruments and Vocals
“Alma” — Erin Bentlage, Sara Gazarek, Johnaye Kendrick & Amanda Taylor, arrangers (säje Featuring Regina Carter)
Best Arrangement, Instrumental or A Cappella
“Bridge Over Troubled Water” — Jacob Collier, Tori Kelly & John Legend, arrangers (Jacob Collier Featuring John Legend & Tori Kelly)
Best Musical Theater Album
Hell’s Kitchen — Shoshana Bean, Brandon Victor Dixon, Kecia Lewis & Meleah Joi Moon, principal vocalists; Adam Blackstone, Alicia Keys & Tom Kitt, producers (Alicia Keys, composer & lyricist) (Original Broadway Cast)
Best Spoken Word Poetry Album
The Heart, The Mind, The Soul — Tank and The Bangas
Best Classical Solo Vocal Album
Beyond The Years – Unpublished Songs Of Florence Price — Karen Slack, soloist; Michelle Cann, pianist
Best Classical Instrumental Solo
“Bach: Goldberg Variations” — Víkingur Ólafsson
Best Chamber Music/Small Ensemble Performance
“Rectangles and Circumstance” — Caroline Shaw & Sō Percussion
Best Choral Performance
“Ochre” — Donald Nally, conductor (The Crossing)
Best Opera Recording
“Saariaho: Adriana Mater” — Esa-Pekka Salonen, conductor; Fleur Barron, Axelle Fanyo, Nicholas Phan & Christopher Purves; Jason O’Connell, producer (San Francisco Symphony; San Francisco Symphony Chorus; Timo Kurkikangas)
Best Orchestral Performance
|“Ortiz: Revolución Diamantina” — Gustavo Dudamel, conductor (Los Angeles Philharmonic)
Best Instrumental Composition
“Strands” — Pascal Le Boeuf, composer (Akropolis Reed Quintet, Pascal Le Boeuf & Christian Euman)
Best Immersive Audio Album
i/o (In-Side Mix) — Hans-Martin Buff, immersive mix engineer; Brian Eno, Peter Gabriel & Richard Russell, immersive producers (Peter Gabriel)
Producer of the Year, Classical (A Producer’s Award. Artist names appear in parentheses. S stands for Single, T for Track and A for Album)
Elaine Martone
Bartók: String Quartet No.3; Suite From ‘The Miraculous Mandarin’ (Franz Welser-Möst & The Cleveland Orchestra) (A)
The Book Of Spells (Merian Ensemble) (A)
Bruckner: Symphony No. 4 (Franz Welser-Möst & The Cleveland Orchestra) (A)
Divine Mischief (Julian Bliss, J. Eric Wilson & Baylor University Wind Ensemble) (A)
Joy! (John Morris Russell & Cincinnati Pops) (A)
Prokofiev: Symphony No. 6 (Franz Welser-Möst & The Cleveland Orchestra) (A)
Schubert: The Complete Impromptus (Gerardo Teissonnière) (A)
Stranger At Home (Shachar Israel) (A)
Tchaikovsky: Symphony No. 4 (Franz Welser-Möst & The Cleveland Orchestra) (A)
Best Engineered Album, Classical
Bruckner: Symphony No. 7; Bates: Resurrexit — Mark Donahue & John Newton, engineers; Mark Donahue, mastering engineer (Manfred Honeck & Pittsburgh Symphony Orchestra)
Best New Age, Ambient, or Chant Album
Triveni — Wouter Kellerman, Éru Matsumoto & Chandrika Tandon
Best Reggae Album
Bob Marley: One Love – Music Inspired By The Film (Deluxe) — (Various Artists)
Best Global Music Album
Alkebulan II — Matt B Featuring Royal Philharmonic Orchestra
Best African Music Performance
“Love Me JeJe” — Tems
Best Global Music Performance
“Bemba Colorá” — Sheila E. Featuring Gloria Estefan & Mimy Succar
Best Contemporary Instrumental Album
Plot Armor — Taylor Eigsti
Best Alternative Jazz Album
No More Water: The Gospel Of James Baldwin — Meshell Ndegeocello
Best Latin Jazz Album
Cubop Lives! — Zaccai Curtis
Best Large Jazz Ensemble Album
Bianca Reimagined: Music for Paws and Persistence — Dan Pugach Big Band
Best Jazz Instrumental Album
Remembrance — Chick Corea & Béla Fleck
Best Jazz Vocal Album
A Joyful Holiday — Samara Joy
Best Jazz Performance
“Twinkle Twinkle Little Me” — Samara Joy Featuring Sullivan Fortner
Best Engineered Album, Non-Classical
i/o — Tchad Blake, Oli Jacobs, Katie May & Dom Shaw, engineers; Matt Colton, mastering engineer (Peter Gabriel)
Best Song Written For Visual Media
It Never Went Away [From “American Symphony”] — Jon Batiste & Dan Wilson, songwriters (Jon Batiste)
Best Score Soundtrack for Video Games and Other Interactive Media
Wizardry: Proving Grounds of the Mad Overlord — Winifred Phillips, composer
Best Score Soundtrack For Visual Media (Includes Film And Television)
Dune: Part Two — Hans Zimmer, composer
Best Compilation Soundtrack For Visual Media
Maestro: Music By Leonard Bernstein — London Symphony Orchestra, Yannick Nézet-Séguin, Bradley Cooper
Best Alternative Music Album
All Born Screaming — St. Vincent
Best Alternative Music Performance
“Flea” — St. Vincent
Best Rock Album
Hackney Diamonds — The Rolling Stones
Best Rock Song
“Broken Man” — Annie Clark, songwriter (St. Vincent)
Best Metal Performance
“Mea Culpa (Ah! Ça ira!)” — Gojira, Marina Viotti & Victor Le Masne
Best Rock Performance
“Now and Then” — The Beatles
Producer of the Year, Non-Classical (A Producer’s Award. Artist names appear in parentheses. S stands for Single, T for Track and A for Album)
Daniel Nigro
“Can’t Catch Me Now (From The Hunger Games: The Ballad Of Songbirds & Snakes)” (Olivia Rodrigo) (S)
Chappell Roan The Rise and Fall Of A Midwest Princess (Chappell Roan) (A)
“girl i’ve always been” (Olivia Rodrigo) (T)
“Good Luck, Babe!” (Chappell Roan) (S)
“so american” (Olivia Rodrigo) (T)
“stranger” (Olivia Rodrigo) (T)
Best Historical Album
Centennial — Meagan Hennessey & Richard Martin, compilation producers; Richard Martin, mastering engineer (King Oliver’s Creole Jazz Band And Various Artists)
Best Album Notes
Centennial — Ricky Riccardi, album notes writer (King Oliver’s Creole Jazz Band & Various Artists)
Best Boxed Or Special Limited Edition Package
Mind Games — Simon Hilton & Sean Ono Lennon, art directors (John Lennon)
Best Recording Package
Brat — Brent David Freaney & Imogene Strauss, art directors (Charli xcx)
Best Audio Book, Narration, and Storytelling Recording
Last Sundays in Plains: A Centennial Celebration — Jimmy Carter
Best Comedy Album
The Dreamer — Dave Chappelle
Best Children’s Music Album
Brillo, Brillo! — Lucky Diaz And The Family Jam Band
Best Traditional Pop Vocal Album
Visions — Norah Jones
Best Music Film
“American Symphony” — Jon Batiste
Matthew Heineman, video director; Lauren Domino, Matthew Heineman & Joedan Okun, video producers
Best Music Video
“Not Like Us” — Kendrick Lamar
Dave Free & Kendrick Lamar, video directors; Jack Begert, Sam Canter & Jamie Rabineau, video producers
Best Rap Song
“Not Like Us” — Kendrick Lamar, songwriter (Kendrick Lamar)
Best Melodic Rap Performance
“3” — Rapsody Featuring Erykah Badu
Best Rap Performance
“Not Like Us” — Kendrick Lamar
Best R&B Album
11:11 (Deluxe) — Chris Brown
Best Progressive R&B Album (tie)
So Glad to Know You — Avery*Sunshine
Why Lawd? — NxWorries (Anderson .Paak & Knxwledge)
Best R&B Song
“Saturn” — Rob Bisel, Carter Lang, Solána Rowe, Jared Solomon & Scott Zhang, songwriters (SZA)
Best Traditional R&B Performance
“That’s You” — Lucky Daye
Best R&B Performance
“Made For Me (Live On BET)” — Muni Long
Songwriter of the Year, Non-Classical
A Songwriter’s Award. (Artists’ names appear in parentheses.) (S) stands for Single, (T) stands for Track
Amy Allen
“Chrome Cowgirl” (Leon Bridges) (S)
“Espresso” (Sabrina Carpenter) (S)
“High Road” (Koe Wetzel & Jessie Murph) (S)
“Please Please Please” (Sabrina Carpenter) (S)
“run for the hills” (Tate McRae) (S)
“scared of my guitar” (Olivia Rodrigo) (T)
“Selfish” (Justin Timberlake) (S)
“Sweet Dreams” (Koe Wetzel) (S)
“Taste” (Sabrina Carpenter) (S)
Best Tropical Latin Album
Alma, Corazón y Salsa (Live at Gran Teatro Nacional) — Tony Succar, Mimy Succar
Best Música Mexicana Album (Including Tejano)
Boca Chueca, Vol. 1 — Carín León
Best Latin Rock or Alternative Album
¿Quién trae las cornetas? — Rawayana
Best Música Urbana Album
Las Letras Ya No Importan — Residente
Best Contemporary Blues Album
Mileage — Ruthie Foster
Best Traditional Blues Album
Swingin’ Live at The Church in Tulsa — The Taj Mahal Sextet
Best American Roots Performance
“Lighthouse” — Sierra Ferrell
Best Country Song
“The Architect” — Shane McAnally, Kacey Musgraves & Josh Osborne, songwriters (Kacey Musgraves)
Best Country Duo/Group Performance
“II Most Wanted” — Beyoncé Featuring Miley Cyrus
Best Country Solo Performance
“It Takes A Woman” — Chris Stapleton
Best Roots Gospel Album
Church — Cory Henry
Best Contemporary Christian Music Album
Heart Of A Human — DOE
Best Gospel Album
More Than This — CeCe Winans
Best Contemporary Christian Music Performance/Song
“That’s My King” — CeCe Winans; Taylor Agan, Kellie Gamble, Llyod Nicks & Jess Russ, songwriters
Best Gospel Performance/Song
“One Hallelujah” — Tasha Cobbs Leonard, Erica Campbell & Israel Houghton Featuring Jonathan McReynolds & Jekalyn Carr; G. Morris Coleman, Israel Houghton, Kenneth Leonard, Jr., Tasha Cobbs Leonard & Naomi Raine, songwriters
Best Regional Roots Music Album
Kuini — Kalani Pe’a
Best Folk Album
Woodland — Gillian Welch & David Rawlings
Best Bluegrass Album
Live Vol. 1 — Billy Strings
Best Americana Album
Trail Of Flowers — Sierra Ferrell
Best American Roots Song
“American Dreaming” — Sierra Ferrell & Melody Walker, songwriters (Sierra Ferrell)
Best Americana Performance
“American Dreaming” — Sierra Ferrell
Best Remix Recording
“Espresso (Mark Ronson x FNZ Working Late Remix)” — FNZ & Mark Ronson, remixers (Sabrina Carpenter)
Best Dance Pop Recording
“Von dutch” — Charli xcx
Best Pop Solo Performance
“Espresso” – Sabrina Carpenter
Best Dance/Electronic Album
BRAT — Charli xcx
Best Dance/Electronic Recording
“Neverender” — Justice & Tame Impala
