Marvel’s “Deadpool & Wolverine” and Warner Bros.’ “Dune Part 2” lead the closely-watched feature competition for 72nd annual Motion Picture Sound Editors Golden Reel Awards, with three nominations apiece. Both received noms in the categories for dialogue/ADR, effects and foley, and music.
“Alien: Romulus,” “A Complete Unknown,” “Emilia Pérez”” and “Wicked” follow with two nominations apiece.
All six movies are shortlisted for the Oscar in sound alongside “The Wild Robot,” which received one Golden Reel nomination, in the animated feature category; and “Blitz,” “Gladiator II” and “Joker: Folie à Deux” which were shut out of the MPSE noms.
The Oscar in sound combines sound editing and mixing. (Nominations for the Cinema Audio Society Awards, which recognize outstanding sound mixing, will be announced on Tuesday.) Sound branch members select the five category Oscar nominees.
The Golden Reel Awards honor outstanding achievement in sound editing, sound design, music editing and foley artistry in film, television and gaming. During this year’s gala, which will be held Feb. 23 at the Wilshire Ebell Theatre in Los Angeles, Kevin Costner is slated to accept the MPSE Filmmaker Award and supervising sound editor Greg Hedgepath (1996’s “Twisters”) will receive its Career Achievement Award.
The list of nominees follows:
Outstanding Achievement in Sound Editing – Broadcast Animation
“Jurassic World: Chaos Theory” – Into The Fog
Netflix
Supervising Sound Editors: D.J. Lynch, Rob McIntyre MPSE
Sound Designers: Adam Cioffi, Jeff Halbert
Sound Effects Editor: Marc Schmidt MPSE
Dialogue Editor: Anna Adams
Foley Editor: Erika Koski
Foley Artists: Iris Dutour, Sanaa Kelley MPSE
“LEGO Star Wars” – Rebuild The Galaxy: Part Two
Disney+
Supervising Sound Editor: Jeff King
Supervising Foley Editor: Frank Rinella
Foley Editor: Shaun Farley MPSE
Foley Artist: Margie O’Malley
“Secret Level” – Warhammer 40,000: They Shall Know No Fear”
Amazon Prime
Supervising Sound Editors: Brad North MPSE, Matt Yocum MPSE
Sound Designers: Joseph Fraioli, Nolan McNaughton MPSE, Ryan Sullivan
Sound Effects Editors: Chris Battaglia MPSE, Harry Cohen MPSE
Foley Editors: Matt Manselle, Matt Telsey
Foley Artist: Brian Straub
Supervising Sound Editor: Otis Van Osten
Supervising Foley Editor: Aran Tanchum
Sound Designer: Matt Klimek MPSE
Dialogue Editor: Michael Wessner MPSE
Foley Artist: Vincent Guisetti
“Transformers: Earthspark” – Judgment Day: Part 2
Nickelodeon
Supervising Sound Editor: Brad Meyer MPSE
Sound Effects Editors: Natalia Saavedra Brychcy MPSE, Mia Perfetti MPSE
Dialogue Editor: Christine Gamache
Foley Editor: Carol Ma MPSE
“X-Men ’97″ – Fire Made Flesh
Disney+
Supervising Sound Editor: Jonathan Greber
Sound Designer: Kyrsten Mate MPSE
Sound Effects Editors: Jonathon Stevens, David Acord, Cameron Barker
Supervising Foley Editor: Jeremy Molod
Outstanding Achievement in Sound Editing – Broadcast Long Form Dialogue / ADR
“Lioness” – Beware the Old Soldier
Paramount+
Supervising Sound Editor: Danika Wikke MPSE
Dialogue Editor: Thomas Boykin
Music Editor: Ben Zales
“Masters of the Air” – Part Nine
Apple TV+
Supervising Sound Editors: Jack Whittaker, Michael Minkler
Supervising Dialogue/ADR Editor: Dave McMoyler
Supervising ADR Editor: Michele Perrone
Dialogue Editor: Michael Hertlein
ADR Editors: Jim Brookshire MPSE, Bryan Parker MPSE
“The Penguin” – Cent’Anni
HBO MAX
Supervising Sound Editors: Rich Bologna, Lawrence Zipf
Supervising ADR Editor: Angela Organ
ADR Editor: Tony Martinez
Dialogue Editor: Michael McMenomy
“Ripley” – V LUCIO”
Netflix
Supervising Sound Editors: Michael Feuser, Lawrence Zipf
Sound Designer: Lawrence Zipf
Supervising ADR Editor: Lidia Tamplenizza
Dialogue Editor: Michael McMenomy
“Shōgun” – Ladies of the Willow World
FX
Supervising Sound Editor: Brian J. Armstrong MPSE
Sound Editor: Damon Cohoon
Dialogue Editor: John Creed MPSE
ADR Editor: Ayako Yamauchi MPSE
“Slow Horses” – Hello Goodbye
Apple TV+
Supervising Sound Editor: Joe Beal
ADR Editor: Sophie Mapplebeck
Dialogue Editors: Duncan Price, Abbie Shaw
Outstanding Achievement in Sound Editing – Broadcast Long Form Effects / Foley
“House of the Dragon” – The Red Dragon and the Gold
HBO MAX
Supervising Sound Editor: Alastair Sirkett MPSE
Sound Designer: Paula Fairfield MPSE
Sound Effects Editors: Martin Cantwell, Ruth Knight
Foley Editor: Mathias Schuster
Foley Artists: Rebecca Glover, Barnaby Smyth
“The Lord of the Rings: The Rings of Power” – Doomed to Die
Amazon Prime
Supervising Sound Editors: Ben Barker, Glenn Freemantle MPSE
Supervising Dialogue Editor: Emilie O’Connor
Foley Editor: Paolo Pavesi
Foley Artists: Zoe Freed, Rebecca Heathcote
“Masters of the Air” – Part Five
Apple TV+
Supervising Sound Editors: Michael Minkler, Jack Whittaker MPSE
Sound Designers: Luke Gibleon MPSE, Jeff Sawyer
Sound Effects Editors: Zach Goheen MPSE, Paul B. Knox, Adam Kopald
Foley Artists: Dylan Tuomy-Wilhoit MPSE, Jeffrey Wilhoit MPSE
“The Penguin” – After Hours
HBO MAX
Supervising Sound Editors: Rich Bologna, Lawrence Zipf
Sound Effects Editors: Diego Perez MPSE, Wyatt Sprague
Supervising Foley Editor: Matt Haasch
Foley Artist: Gareth Rhys Jones
“Ripley” – III Sommerso
Netflix
Supervising Sound Editors: Michael Feuser, Lawrence Zipf
Sound Designers: Bill R. Dean MPSE, Angelo Palazzo MPSE, Lawrence Zipf
Foley Editor: Igor Nikolic
Sound Effects Editors: David Forshee MPSE, Wyatt Sprague
Supervising Foley Editor: Matt Haasch
Foley Artists: Sandra Fox, Steve Hammond, Goro Koyama, Andy Malcolm, Jay Peck
“Shōgun” – Broken to the Fist
FX
Supervising Sound Editor: Brian J. Armstrong MPSE
Sound Designers: Benjamin L. Cook MPSE, James Gallivan
Sound Effects Editor: Mark Hailstone
Foley Editor: Ken Cain MPSE
Foley Artists: Sanaa Kelley MPSE, Matt Salib
Outstanding Achievement in Sound Editing – Broadcast Short Form
“Baby Reindeer” – Episode 7
Netflix
Supervising Sound Editor: Matt Skelding MPSE
Sound Designer: Tom Jenkins
Dialogue Editor: Milos Stojanovic MPSE
Foley Editor: Mathias Schuster
Foley Artist: Barnaby Smyth
“The Bear” – Doors
FX
Supervising Sound Editor: Steve “Major” Giammaria MPSE
Sound Effects Editors: Jonathan Fuhrer, Matt Snedecor, Craig LoGiudice
ADR Editor: John Bowen
Dialogue Editor: Evan Benjamin
Foley Editor: Annie Taylor MPSE
Foley Artists: Leslie Bloome MPSE, Shaun Brennan
“Earthsounds” – Australian Forests
Apple TV+
Supervising Sound Editor: Kate Hopkins
Sound Effect Editor: Tom Mercer
Foley Editor: Ellie Bowler
Foley Artist: Rory Joseph
“Only Murders in the Building” – Blow Up
Hulu
Supervising Sound Editor: Mathew Waters, Danika Wikke MPSE
Sound Effects Editor: Meredith Stacy
Dialogue Editor: Christopher Gomez MPSE
Foley Editor: Erika Koski
Foley Artists: Iris Dutour, Sanaa Kelley MPSE
“What We Do in the Shadows” – Come Out and Play
FX
Supervising Sound Editor: Steffan Falesitch
Sound Effects Editor: David Barbee MPSE
ADR Editor: Mark Relyea MPSE
Dialogue Editor: Paul Bercovitch
Supervising Foley Editor: Sam C. Lewis MPSE
Foley Editor: Lyndsey Schenk MPSE
Foley Artists: Adam DeCoster, Alex Ullrich MPSE
Outstanding Achievement in Sound Editing – Feature Animation
“Inside Out 2”
Disney+
Supervising Sound Editor: Coya Elliott
Sound Designer: Ren Klyce
Sound Effects Editors: David C. Hughes, Jonathon Stevens
Supervising Dialogue Editor: Cheryl Nardi
Supervising Foley Editor: Dee Selby
Foley Editor: Nicholas Docter
Foley Artists: Heikki Kossi MPSE, Shelley Roden MPSE
“The Lord of the Rings: The War of the Rohirrim“
Warner Bros. Animation
Supervising Sound Editors: Brent Burge, Martin Kwok, Matt Stutter MPSE
Sound Designer: David Farmer MPSE
Sound Effects Editor: Hayden Collow, Alexis Feodoroff
Dialogue Editor: Dmitry Novikov MPSE
Foley Editors: Michael Donaldson, Craig Tomlinson
Foley Artist: Simon Riley
“Mufasa: The Lion King”
Walt Disney Pictures
Supervising Sound Editor: Onnalee Blank MPSE
Sound Designers: Harry Cohen MPSE, Paula Fairfield MPSE, Luke Gibleon MPSE, Jason W. Jennings MPSE
Sound Effects Editors: Benjamin L. Cook MPSE, Katie Halliday MPSE, Ando Johnson,
Michael Mitchell, Jessie Pariseau, Roland N. Thai MPSE
Supervising ADR Editor: Vanessa Lapato
Supervising Dialogue Editor: Katy Wood
Foley Editor: Pietu Kornhonen
Foley Artists: John Cucci MPSE, Gary Hecker MPSE, Mike Horton, Heikki Kossi MPSE,
Dan O’Connell
“The Wild Robot“
Universal Pictures
Supervising Sound Editors: Brian Chumney, Leff Lefferts
Sound Designer: Randy Thom MPSE
Sound Effects Editors: David Farmer MPSE, David Hughes, Jamey Scott MPSE
Dialogue Editor: Rich Quinn
Foley Editors: Malcolm Fife, Dee Selby
Foley Artists: Ronni Brown, Jana Vance
Outstanding Achievement in Sound Editing – Feature Documentary
“The Blue Angels“
Amazon Prime
Supervising Sound Editor: Robert Stambler MPSE
Sound Effects Editor: Ryan “Sully” Sullivan
Dialogue Editor: Emma Present
“Dahomey”
Amazon Prime
Supervising Sound Editor: Nicolas Becker
Sound Designer: Nicolas Becker
Sound Editor: Sylvain Malbrant
Dialogue Editor: Maxime Saleix
Foley Artist: Gilles Marsalet
“Elton John: Never Too Late“
Disney+
Supervising Sound Editors: Rob Getty MPSE, Richard Yawn MPSE
Sound Editor: Mike Pipgras
“Music by John Williams“
Disney+
Supervising Sound Editors: Christopher Barnett MPSE, Roy Waldspurger
Sound Effects Editor: Tim Farrell
Dialogue Editor: Dmitri Makarov
Music Editor: Ramiro Belgardt
“Super/Man: The Christopher Reeve Story“
HBO Max
Supervising Sound Editor: Greg Gettens
Sound Designer: Will Chapman
Supervising Dialogue Editor: Claire Ellis
Foley Editor: Olly Freemantle
Foley Artist: Zoe Freed
“Will & Harper“
Netflix
Supervising Sound Editor: Zach Seivers MPSE
Sound Effects Editor: George Pereyra, Adam Parrish King
Dialogue Editor: Jared K. Neal
Outstanding Achievement in Sound Editing –Feature International
“Emilia Pérez“
Netflix
Supervising Sound Editor: Aymeric Devoldère
Sound Designer: Cyril Holtz
Supervising Dialogue Editor: Hortense Bailly
Supervising ADR Editor: Carolina Santana
Foley Editor: Antoine Swertvaegher
Foley Artist: Gregory Vincent
“The Girl with the Needle”
Mubi
Supervising Sound Editors: Morten Pilegaard, Oskar Skriver
Sound Effects Editor: Christian Roed Dalsgaard
Foley Editor: Patrick Ghislain
Foley Artist: Julien Naudin
“The Goat Life“
Netflix
Supervising Sound Editors: Vijaykumar Mahadevaiah MPSE, Resul Pookutty MPSE
Sound Effects Editor: Arun Rana
Foley Editor: Vijaykumar Mahadevaiah MPSE
Foley Artists: Andriy Ryzhov, Ruslan Shebistyi, Andriy Starikovskiy, Bogdan Zavarzin
“Kneecap”
Netflix
Supervising Sound Editor: Brendan Rehill
Supervising Dialogue Editor: Louise Burton MPSE
Foley Editor: Damien Lynch
Foley Artists: Caoimhe Doyle, Emer O’Reilly
Outstanding Achievement in Sound Editing – Feature Dialogue / ADR
“Alien: Romulus”
20th Century Studios
Supervising Sound Editors: Will Files MPSE, Lee Gilmore MPSE
Sound Editor: Matt “Smokey” Cloud MPSE
Supervising Dialogue Editor: Polly McKinnon
Dialogue Editors: David Butler, Ryan Cole MPSE, Jacob Riehle, Ailene Roberts MPSE
“A Complete Unknown”
Searchlight Pictures
Supervising Sound Editor: Donald Sylvester
Dialogue Editors: Russell Farmarco MPSE, Anna MacKenzie, Robert Troy
“Deadpool & Wolverine”
Marvel Studios
Supervising Sound Editor: Craig Henighan MPSE
Dialogue Editor: Emma Present
“Dune: Part Two”
Warner Bros. Pictures
Supervising Dialogue Editor: Martin Kwok
Dialogue Editors: Ray Beentjes, Polly McKinnon, Stefanie Ng
ADR Editor: David Bach
Crowd Editors: Alexis Feodoroff, Justin Webster
“Saturday Night”
Columbia Pictures
Supervising Sound Editors: David Butler, Will Files MPSE, Lee Gilmore MPSE
Dialogue Editors: Helen Lutrell, Emma Present
“Wicked”
Universal Pictures
Supervising Sound Editors: John Marquis, Nancy Nugent Title
Supervising Dialogue Editor: John C. Stuver
Dialogue Editor: David Bach
Outstanding Achievement in Sound Editing – Feature Effects / Foley
“Alien: Romulus“
20th Century Studios
Supervising Sound Editors: Will Files MPSE, Lee Gilmore MPSE
Sound Designer: Chris Terhune
Sound Effects Editors: Luis Galdames MPSE, Dan Kenyon, Ken McGill MPSE, James Miller, Matt “Smokey” Cloud MPSE, Steve Neal MPSE
Foley Editors: Samuel Munoz, Lyndsey Schenk MPSE
Foley Artists: Jacob McNaughton, Noel Vought
“Deadpool & Wolverine“
Marvel Studios
Supervising Sound Editors: Ryan Cole MPSE, Craig Henighan MPSE
Sound Designers: Samson Neslund, Eric A. Norris MPSE, Addison Teague
Sound Effects Editors: Lee Gilmore MPSE, J.R. Grubbs
Foley Editors: Pete Persaud, Gina Wark
Foley Artist: Steve Baine
“Dune: Part Two“
Warner Bros. Pictures
Supervising Sound Editor: Richard King
Sound Designers: Dave Whitehead MPSE, Michael Babcock, Lee Gilmore MPSE, Randy Torres
Sound Effects Editors: Brent Burge, Hayden Collow, Melanie Graham, Michael Mitchell, Jeff Sawyer, Matt Stutter MPSE, Chris Terhune
Supervising Foley Editor: Chris Flick
Foley Editor: Willard Overstreet
Foley Artists: John Cucci, Dan O’Connell
“Furiosa: A Mad Max Saga“
Warner Bros. Pictures
Supervising Sound Editor: Robert Mackenzie
Sound Effects Editors: Tom Heuzenroeder, Tara Webb
Foley Editors: Duncan Campbell, Adrian Medhurst MPSE
“Nosferatu“
Focus Features
Supervising Sound Editor: Damian Volpe MPSE
Sound Designers: Michael Fentum, Damian Volpe MPSE
Sound Effects Editors: Samir Foco, Mariusz Glabinski MPSE
Foley Supervisor: Heikki Kossi MPSE
Foley Editor: Joel Raabe MPSE
“September 5“
Paramount Pictures
Supervising Sound Editor: Frank Kruse
Sound Designer: Frank Kruse
Foley Supervisor: Uwe Zillner
Foley Editors: Johanna Rellinghaus, Benedikt Uebe
Foley Artist: Uwe Zillner
Outstanding Achievement in Sound Editing – Non-Theatrical Animation
“Arcane” – The Dirt Under Your Nails
Netflix
Supervising Sound Editors: Brad Beaumont MPSE, Eliot Connors MPSE
Sound Effects Editor: Stephen P. Robinson MPSE
Supervising Music Editor: Alexander Temple
Music Editors: Andrew Kierszenbaum, Sebastien Najand, Alex Seaver
Foley Editor: PJ Pascual
Foley Artists: John Cucci, Dan O’Connell
“Invincible” – I Thought You Were Stronger
Amazon Prime
Supervising Sound Editor: Brad Meyer MPSE
Sound Effects Editors: Katie Jackson MPSE, Mia Perfetti MPSE, Natalia Saavedra Brychcy MPSE
Dialogue Editor: Logan Romjue MPSE
Foley Editor: Carol Ma MPSE
“Justice League” – Crisis on Infinite Earths – Part Three
Warner Bros. Animation
Supervising Sound Editor: Robert Hargreaves MPSE
Sound Designer: Robert Hargreaves MPSE
Supervising Dialogue Editor: Mark Keatts
Dialogue Editors: Patrick J. Foley, Michael Garcia MPSE
ADR Editor: Kelly Foley Downs
“Orion and the Dark“
Netflix
Supervising Sound Editors: D.J. Lynch, Rob McIntyre MPSE
Sound Designers: Jessey Drake MPSE, Jeff Halbert, Marc Schmidt
Sound Effects Editors: Evan Dockter, Cat Gensler, Grace Stensland
Dialogue Editor: Jason Oliver
Foley Editor: Roberto D. Alegria
Foley Artists: Vincent Deng, Laura Macias
“Watchmen” – Chapter 1
Studio Mir
Supervising Sound Editors: Devon Bowman, George Peters
Sound Designer: Paul Menichini
Supervising Dialogue Editor: Mark A. Keatts
Dialogue Editors: David M. Cowan, Kelly Foley Downs, Michael Garcia MPSE
Foley Editor: Jordan McClain
Foley Artists: Sanaa Kelley MPSE, Matt Salib
Outstanding Achievement in Sound Editing – Non-Theatrical Documentary
“Apollo 13″ – Survival
Netflix
Supervising Sound Editor: Paul Darling
Sound Editor: Greg Gettens
Foley Editor: Olly Freemantle
Foley Artist: Rebecca Heathcote
“The Beach Boys“
Disney+
Supervising Sound Editor: Jonathan Greber
Sound Effects Editor: David Chrastka
“Fly“
National Geographic
Supervising Sound Editor: Eli Cohn
Sound Effects Editor: Jack Sasner
Dialogue Editor: Ben Chesneau
“Formula 1: Drive to Survive” – Forza Ferrari
Netflix
Supervising Sound Editors: Nick Fry, Steve Speed
Sound Supervisors: Doug Dreger, Adam King
Sound Designers: Tom Maclellan, James Spooner
“Jim Henson Idea Man“
Disney+
Supervising Sound Editors: Daniel Timmons, Tony Volante
Sound Designer: Jeremy S. Bloom
Sound Editor: Kelly Rodriguez
Dialogue Editor: Ian Cymore
“Steve! (Martin) A Documentary in 2 Pieces“
Apple TV+
Supervising Sound Editor: Bob Edwards
Sound Designer: Pete Horner
Sound Effects Editors: Kim B. Christensen, Joel Raabe MPSE
Outstanding Achievement in Sound Editing – Non-theatrical Feature
“Atlas”
Netflix
Supervising Sound Editor: Per Hallberg MPSE
Supervising Sound Designer: Ann Scibelli
Sound Effects Editors: Eric A. Norris MPSE, Stephen P. Robinson MPSE, Jonathan Title MPSE
Supervising ADR Editor: Daniel Irwin
Dialogue Editors: Laura Harris Atkinson, Taylor Jackson, John Stuver
Supervising Foley Editor: Willard J. Overstreet
Supervising Foley Artist: Gary Hecker MPSE
Foley Artist: Michael Horton
“Beverly Hills Cop: Axel F“
Netflix
Supervising Sound Editor: Chris Diebold
Sound Designers: Chris Diebold, Randy Torres
Sound Effects Editor: Phil Barrie
Supervising Dialogue Editor: Susan Dawes
Dialogue Editor: Jim Brookshire
Supervising ADR Editor: Sean Massey MPSE
Foley Editors: Chelsea Body, Jenna Dalla Riva, Kevin Jung, Colton Maddigan
Foley Artists: Sandra Fox, Steve Hammond, Goro Koyama
“The Killer“
Netflix
Supervising Sound Editor: Mark Stoeckinger
Sound Designers: Gael Nicolas, Alan Rankin
“Música“
Amazon Prime
Supervising Sound Editor: Christopher Aud
Sound Effects Editor: Mitch Osias
Supervising ADR Editor: Eliza Pollack-Chalfant Zebert
Foley Artists: Alyson Dee Moore MPSE, Christopher Moriana, Nancy Parker MPSE
“Rebel Moon – Part Two” – The Scargiver
Netflix
Supervising Sound Editors: Scott Hecker MPSE, Chuck Michael MPSE
Sound Effects Designers: Scott Hecker MPSE, Chuck Michael MPSE, Nick Interlandi, Bryan Jerden MPSE, Alexander Pugh MPSE, Andrew Vernon MPSE
Sound Effects Editor: Greg ten Bosch MPSE, Brad Sokol
Supervising Dialogue / ADR Editor: Jessie Anne Spence MPSE
Dialogue/ADR Editors: Michael Hertlein, Arielle McGrail, Byron Wilson
Supervising Foley Editor: Mark Pappas
Supervising Foley Artist: Gary Hecker MPSE
Foley Artists: Michael Broomberg, Mike Horton
Outstanding Achievement in Music Editing – Broadcast Long Form
“Fallout” – The End
Amazon Prime
Music Editors: Clint Bennet, Christopher Kaller
“The Lord of the Rings: The Rings of Power” – Doomed to Die
Amazon Prime
Music Editor: Jason Smith MPSE
“The Penguin” – Cent’Anni
HBO Max
Supervising Music Editor: Ben Holiday
Music Editors: Chad Birmingham, Luke Dennis
“Ripley” – VIII NARCISSUS
Netflix
Music Editors: Dan Evans Farkas, Ben Schor
“Salem’s Lot”
HBO Max
Supervising Music Editor: Andrew Silver MPSE
Music Editor: John Carbonara
“Slow Horses” – Returns
Apple TV+
Music Editor: Ben Smithers
Outstanding Achievement in Music Editing – Broadcast Short Form
“Baby Reindeer” – Episode 1
Netflix
Music Editor: Jack Sugden
“The Bear” – Doors
FX
Music Editors: Jason Lingle, Jeff Lingle
“Only Murders in the Building” – My Best Friend’s Wedding
Hulu
Music Editor: Michah Liberman
“Shrinking” – Last Drink
Apple TV+
Music Editor: Richard Brown MPSE
“We Are Lady Parts” – The Reason
Peacock
Music Editor: Andy Patterson MPSE
Outstanding Achievement in Music Editing – Documentary
“Beatles ’64”
Disney+
Music Editor: John M. Davis
“Elton John: Never Too Late“
Disney+
Music Editor: Michael Brake MPSE
“The Greatest Night in Pop“
Netflix
Music Editor: Gavin Allingham
“Jim Henson Idea Man”
Disney+
Supervising Music Editor: Ryan Rubin
“Music by John Williams“
Disney+
Supervising Music Editor: Ramiro Belgardt
Music Editors: Christopher Barnett MPSE, Roy Waldspurger
Outstanding Achievement in Music Editing – Feature Motion Picture
“Better Man”
Paramount Pictures
Supervising Music Editor: Timothy Ryan
Music Editors: Craig Beckett, Lena Glikson, Cory Milano, Liam Moses, Joe E. Rand, Chris Scallan, Emily Rogers Swanson
Vocal Editors: Noah Hubbell, Anna Muehlichen
“A Complete Unknown”
Searchlight Pictures
Supervising Music Editor: Ted Caplan
Music Editor: Maggie Talibart
“Deadpool & Wolverine“
Marvel Studios
Music Editors: Daniel DiPrima, Oliver Hug
Scoring Editor: Anele Onyekwere
“Dune: Part Two“
Warner Bros. Pictures
Supervising Music Editors: Clint Bennett, Ryan Rubin
Music Editor: Joe E. Rand
“Emilia Pérez“
Netflix
Lead Music Editor: Maxence Dussère
Music Editors: Cécile Coutelier, Matthieu Lefèvre, Aristide Rosier
“Wicked“
Universal Pictures
Supervising Music Editor: Catherine Wilson
Supervising Vocal Editor: Robin Baynton
Outstanding Achievement in Sound Editing – Game Dialogue / ADR
“Batman: Arkham Shadow“
Supervising Dialogue Editor: Mark Camperell MPSE
Dialogue Editors: Charlie Gondak, Daniel Khim MPSE, Austin Krier MPSE, Matthew Kulewicz MPSE, Amanda McDonnell, Ryan Ongaro, Kerri Shak
“Call of Duty: Black Ops 6“
Audio Lead: Jacob Harley, Jeremiah Sypult, Brian Tuey
Audio Directors: Ian Mika
Supervising Sound Editor: Charles Deenen
Supervising Dialogue Editor: Robert Jackson
Senior Audio Artist: Ryan Garigliano
Dialogue Editors: Jessica Arkoff, Socrates Ayala, Kelli Baffoni, Tom Boyd, Roman Fusco, Cesar Marenco MPSE, Kevin Patel, Brandon Roos, Ruge Sun, Dani Turner, Rob Weiss, Maggie Wolf
Audio Artists: Justin Moreh, Darrell Tung
“Final Fantasy VII: Rebirth“
Audio Director: Rita Kedineoglu
Supervising Dialogue Editor: Martín Gutiérrez MPSE
Dialogue Editors: Alex Baghdassarian MPSE, Bryan Borders, Garrett Hernandez
“Star Wars Outlaws“
Lead Voice Designer: Charles Pateman
Voice Designers: Alain Abbyad, Antoine Deseille, Oskar Hansson, Marla Kishimoto, Hanna Witulska
“Until Dawn“
Supervising Dialogue Editor: Nick Gratwick
Senior Dialogue Designer: Paola Velasquez
Dialogue Designer: Andrea Contino
Dialogue Editor: Damian O’Sullivan
Outstanding Achievement in Music Editing – Game Music
“Call of Duty: Black Ops 6“
Audio Directors: Alex Hemlock, Jeremiah Sypult, Brian Tuey
Supervising Sound Editor: Charles Deenen
Music Editors: Brian DiDomenico, Jim Lordeman
“Diablo IV: Vessel of Hatred“
Audio Director: Kris Giampa
Music Director: Derek Duke
Supervising Music Editor: Ted Reedy
Senior Music Editor: Adam Burgess
“Dragon Age: The Veilguard“
Audio Director: Cody Behiel
Supervising Music Editor: Ron Dazo
Music Editors: Steven Silvers, Morgan Fryer-McCulloch, Ben YJ Hung, Lauren Kott
“Helldivers 2“
Music Director: Keith Leary
Supervising Music Editor: Scott Shoemaker
Music Editors: Sonia Coronado, Collin Lewis
“Star Wars Outlaws“
Audio Director: Simon Koudriavtsev
Senior Music Designer: Erik Jacobsson
Music Supervisor: Manu Bachet
Outstanding Achievement in Sound Editing – Game Effects / Foley
“Batman: Arkham Shadow”
Technical Sound Designer: Haroon Piracha
Sound Design Lead: Jon Ruse
Sound Designers: Tyler Hayden, Kyle Lammerding
Senior Audio Designer: Ryan David Kull
Lead Audio Designer: Julian Korzeniowsky
Audio Programmer: Alex Stopher
Audio Designers: Lee Banyard, Scott Gilmore, Ryan McSweeney, Travis Naas, Stefan Rutherford, Matthew Wright
“Call of Duty: Black Ops 6“
Audio Directors: Adam Boyd MPSE, Trevor Bresaw, Ian Mika, Jeremiah Sypult, Brian Tuey
Supervising Sound Editor: Charles Deenen
Lead Sound Designers: Collin Ayers, Jai Berger, Darren Blondin, John Drelick, Nick Martin, Kevin Sherwood
Sound Designers: Mark Camperell MPSE, Nick D’Amato, Tom David, James Evans, Daniel P. Francis MPSE, Luis Galdames MPSE, Nick Interlandi, Austin Krier MPSE, Jim Lecroy, James Miller, Garrett Montgomery MPSE, Josh Moore, Michael Newton, Dominik Ragančík, Jordan Ruhala, Matthew Schaff MPSE, Nick Spradlin, Darrell Tung, Bryan O. Watkins
Technical Sound Designers: Sunglae Park, William Wise III
Expert Sound Designers: Andy Bayless, Cameron Britton, Scott Eckert
Associate Lead Sound Designer: Jacob Harley
Sound Effects Editors: Landen Belardes, Cadmus Blackwood, Tyler Windsor
Senior Audio Artist: Corina Bello, Logan Byers, Ryan Garigliano, Jasmine Jia, James McCawley, Vadim Nuniyants, Tim Schlie, Lee Staples
Junior Audio Artists: Tommy Lee, Justin Moreh
Foley Editor: Rustam Himadiiev
Foley Artist: Bogdan Zavarzin
Audio Directors: Adam Boyd MPSE, Trevor Bresaw, Ian Mika, Jeremiah Sypult, Brian Tuey
“Helldivers 2“
Sound Designer: Olliver Andersson
Senior Technical Sound Design Supervisor: Simon Gumbleton
Senior Sound Designer: Harvey Scott, Juuson Tolonen
Senior Foley Artist: Joanna Fang MPSE
Senior Audio Artist: Kristian Johannson
“LEGO Horizon Adventures“
Senior Audio Programmer: Simon Haines
Supervising Sound Designers: Byron Bullock, Peter Hanson, David Philip
Lead Sound Designer: Mark Hill
Senior Audio Designer: Pablo Valverde Brañas
Technical Sound Designer: Lucas Falcao
Senior Sound Designers: Safar Bake, Danny Hey, Bryan Higa, Matteo Lupieri, Ash Read, Pete Reed, Harvey Scott
Sound Designers: Harry Boyce, Edward Ducan, Rose Evans, Lorenzo Piani, Ben Pickersgill
Foley Editors: Austin Creek, Nick Seaman
Senior Foley Artist: Joanna Fang MPSE
“Star Wars Outlaws”
Audio Director: Simon Koudriavtsev
Lead Audio Designer: Jacob Coles
Senior Sound Designers: Joel Green, Adam Oakley, Simon Siegfried Klar
Expert Audio Designer: Martin Weissberg
Audio Artist: David Kristian
Outstanding Achievement in Sound Editing – Student Film (Verna Fields Award)
“At the Riverbank“
Chapman University
Supervising Sound Editor: Adam Jamal
“Brigham Young University: Student Accomplice“
Brigham Young University
Supervising Sound Editor: Chance Anderson
“Bubble Boy“
National Film and Television School
Supervising Sound Editor: Alina Ushakova
“Intermission”
National Film & Television School
Supervising Sound Editor: Joseph Russell
“Last Remembrances“
University of Southern California
Supervising Sound Editors: Sean Foster, Borna Moinpour
“The Memories of Autumn“
Beijing Film Academy
Supervising Sound Editor: Xiaotong Fu, Ruijia Sun
“Songbirds”
Savannah College of Art and Design
Supervising Sound Editor: Eugenio Mirafuentes
“Wrestle-Off“
University of Southern California
Supervising Sound Editor: Arden Sarner
